Which Areas of the World Read Laura's Little Houses

 

Occasionally, I check to see where this blog's traffic is coming from. Most recent stats show that the most readers of Laura's Little Houses originate from Brazil. Singapore, which was in the top spot in May, is now number two on the list, followed by the United States, Vietnam, and India. 

Thanks to everyone who spends time reading Laura's Little Houses!

Book Review: The Three Faces of Nellie: The Real Story Behind Laura Ingalls Wilder's "Nellie Oleson" by Robynne Elizabeth Miller

 

By now, most fans of the books and the television show know that Nellie Oleson is a composite of three historical figures from Laura Ingalls Wilder's life: Nellie Owens, Genevieve Masters, and Stella Gilbert. In her 2016 book, The Three Faces of Nellie: The Real Story Behind Laura Ingalls Wilder's "Nellie Oleson," Robynne Elizabeth Miller dives deeply into the three young women who became Nellie Oleson to the world. In addition, she shares biographical information about their families, including dates of birth and death, occupations, marriages, and so much more!

Nellie Oleson became a fascinating character from the moment readers first met her in On the Banks of Plum Creek. Thanks to future books and the Little House on the Prairie television series, she continued to be the character everyone loved to hate. As brought to life in fiction, Nellie Oleson protected the identities of others and allowed Wilder to create one arch-nemesis for the entire series. 

The Three Faces of Nellie begins with Nellie Owens and her family, moves onto Genevieve Masters, and ends with Estella "Stella" Gilbert. Along the way, Miller provides insight into how much each historical figure influenced the Nellie Oleson character. Readers learn details about their lives that required loads of research--clearly cited in the extensive bibliography at the end--that supports the author's belief that, "Their lives, individually, and collectively..." are worth more than simply being "one of the most iconic and enduring antagonists in literary history." 

If you are a lover of Laura and her work, you need to own a copy of The Three Faces of Nellie.

Publisher: Practical Pioneer Press

Publication date: November 28, 2016

Edition: 1st

Language: English

Print length: 140 pages

ISBN-10: 069281258X

ISBN-13: 978-0692812587

I purchased a copy of this book in February of this year. This review contains my honest opinions, which I have not been compensated for in any way.

New from Pamela Smith Hill: Too Good to Be Altogether Lost: Rediscovering Laura Ingalls Wilder's Little House Books

 

Laura Ingalls Wilder, author of the well-known Little House series, wrote stories from her childhood because they were “too good to be altogether lost.” And those stories seemed far from being lost during the remainder of her lifetime and through most of the twentieth century. They were translated into dozens of languages; generations of children read them at school; and dedicated readers made pilgrimages to the settings of the Little House books. With the release of NBC’s Little House on the Prairie series in 1974, Wilder was well on her way to becoming an international literary superstar. Simultaneously, however, the novels themselves began to slip from view, replaced by an onslaught of assumptions and questions about Wilder’s values and politics and even about the books’ authenticity. From the 1980s, a slow but steady critical crescendo began to erode Wilder’s literary reputation.

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder’s text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder’s novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today. Hill’s fresh approach to Wilder’s books, including surprising revelations about Wilder’s novel The First Four Years, shows how this author forever changed the literary landscape of children’s and young adult literature in ways that remain vital and relevant today.

Check Goodreads to see where you can buy Too Good to Be Altogether Lost.

Starting Today: Little House on the Prairie Cast Reunion in Columbia

 

Photo credit: Little House Gold Country website

The Little House on the Prairie Cast Reunion in Columbia, California starts today. Hope all of you who are attending have a blast. You can find more information and purchase tickets by visiting https://www.littlehousegoldcountry.com 

Book Review: Prairie Man: My Little House Life & Beyond by Dean Butler

 

Dean Butler brought Almanzo James Wilder to life for legions of Little House on the Prairie fans in the late 70s and early 80s. Now, learn about his life, his career, and more in Prairie Man: My Little House Life & Beyond.

Since Dean signed my hardcover book when I saw him in Farmington, Connecticut, last year, I downloaded an Audible copy of the book to read this wonderful memoir of his early life, details of his career--including roles I had totally forgotten about like CHiPs, personal interactions with family, friends and fans, the complicated relationship with his father, former love interests and his appreciation for his beloved wife Katherine, and people he considers influential. 

Coming from an affluent family allowed him to pursue his dream of becoming an actor, but as Butler shares, it didn't come easily for him. With advice from his father, he would eventually return to finish college, something he expresses gratitude for. He discusses how even back in his Little House days, he was interested in work behind the camera, and shares how he came to work on the talk show, Feherty. It was also nice to hear more about his theater work. 

Prairie Man is told in a way that is respectful of those involved. Honestly, I couldn't expect the Dean Butler I've been lucky to meet more than once at events to be any different. There were a few surprises along the way, which I won't spoil, but Dean, like Almanzo, is that quiet and shy guy who occasionally allows his stubbornness and pride to get in the way. He even admits how much like his most notable role he is--which won't surprise any Little House fan. 

I'm not sure if Dean recalls this, but back in the days of the Dean's Divas Yahoo Group, we had asked if he was ever going to write a memoir. As an aside, I appreciate the mention of Dean's Divas in the Acknowledgments.

For those of us who have followed Dean's career for decades, Prairie Man is a welcome addition to books by other Little House on the Prairie cast members. And if you follow the Little House: Fifty for 50 Podcast, you'll know he is already at work on a second book very different from his memoir. 

While I don't think we learn anything new about Butler's time on the show that he is most well known for, Prairie Man provides insight into a life that has spanned close to seven decades, many years of which have involved his connection and commitment to the legacy of a young American pioneer girl who has captured the hearts of generations. 

• Publisher ‏ : ‎ Citadel
• Publication date ‏ : ‎ June 25, 2024
• Language ‏ : ‎ English
• Print length ‏ : ‎ 288 pages
• ISBN-10 ‏ : ‎ 0806543299
• ISBN-13 ‏ : ‎ 978-0806543291

I purchased a hardcover and audio version of this book. This review contains my honest opinions, which I have not been compensated for in any way.

Which Areas of the World Read Laura's Little Houses

 

Occasionally, I check to see where this blog's traffic is coming from. Most recent stats show that the most readers of Laura's Little Houses originate from Singapore. Though last week the United States topped the list, they are now in second place, followed by Japan, South Korea, and Brazil. What shocks me is that France is so low on the list, despite the popularity of the show there. If you have friends in France, I would appreciate it if you shared a link to this blog.

Thanks to everyone who spends time reading Laura's Little Houses!

Who Should I Profile Next?

I am moving this up from February, hoping for reader input. These are some of the most popular posts at Laura's Little Houses, so readers should have an opinion on who comes next. You can always send me a Facebook direct message by clicking here.

So far, I have profiled:

Laura Ingalls Wilder

Mary Ingalls Kendall

Almanzo James Wilder

Caroline Ingalls

Nels Oleson

Charles Ingalls

Who should be next on the list?

Harriet Oleson

Reverend Alden

Doc Baker

Eliza Jane Wilder

Nellie Oleson Dalton

Albert Quinn Ingalls

Leave a comment on this post to let me know. Thanks for your feedback!

Is It Time to Stop Saying Michael Landon Strayed Too Far from the Books?

Readers have graciously followed me through numerous posts comparing the Little House books to the Little House on the Prairie television show. Here they are again if you missed them:

"Little House in the Big Woods & Little House on the Prairie Versus Little House on the Prairie Pilot"

Click here to read the first post.

"The Long Winter & Little Town on the Prairie Versus Season 6 of Little House on the Prairie"

Click here to read the second post.

"Laura and Almanzo's Courtship - These Happy Golden Years Versus Season 6 of Little House on the Prairie & the Episode 'Laura Ingalls Wilder' (Season 7)"

Click here to read the third post.

"Laura and Almanzo's Married Life - The First Four Years Versus Seasons 7 - 9 of Little House on the Prairie" 

Click here to read the fourth post.

"On the Banks of Plum Creek Versus Season 1 of Little House on the Prairie"

Click here to read the fifth post.

There tend to be three groups of Laura Ingalls Wilder fans: 

• Fans of the books and Wilder's real life, 
• Fans of the television show, and 
• Fans who willingly accept and appreciate that they exist in the same universe. 

With news of a planned Little House on the Prairie production coming from Netflix (see here), there is a new division in Laura land: those who plan to watch it and those who have already sworn it off due to their dedication and love for the original television series. I remain cautiously optimistic, just like when the 2005 Little House on the Prairie mini-series and the television movies, Beyond the Prairie and Beyond the Prairie II, aired. 

I also totally understand the reservations of others. Michael Landon, who the world lost in 1991, had a vision for bringing the story of Laura Ingalls Wilder and her family to life for viewers that has resonated with people across the globe for more than half a century. The show has not been off the air since 1974. People found themselves rewatching and discussing Little House on the Prairie during the COVID-19 pandemic. Check out one viewer's article here. In 2024, Little House on the Prairie garnered 13.3 billion minutes of streamed viewing time, which topped viewing minutes for everything else out there, including new shows. Check out this Dateline article that talks about it by clicking here. Others have tried to recreate Landon's magic with the same source material, but have been nowhere near as successful. And there is a growing movement toward modern homesteading that embraces frugal living, self-sufficiency, and environmental consciousness. Those themes run throughout the show, even if that last one wasn't fully developed or discussed. 

But, I digress...

When we compare the books to the Little House on the Prairie television show, what are themes we see running through them?

Books

• The importance of family and working together for the common good
• How to be resourceful, especially when times are tough
• The enjoyment of the simpler things in life
• The need to be resilient, work hard, and persevere to survive 
• The importance of community--school, church, town

Television Show

• The importance of family and working together for the common good
• How to be resourceful, especially when times are tough
• The enjoyment of the simpler things in life
• The need to be resilient, work hard, and persevere to survive 
• The importance of community--school, church, town
• Acceptance of and respect for others
• Women as equal partners

When we boil it right down to this, Michael Landon embraced the core themes of the source material. Did he add characters that never existed? Yes, but the stories he wrote for those characters still embraced everything fans love about the Little House books and the themes Wilder wrote about in her sixties.

More than two decades after the first parent expressed concerns for Wilder's depiction of Native Americans, Landon was writing shows for her fans that espoused acceptance of and respect for others in episodes like "Injun Kid," and "The Wisdom of Solomon" and "The Craftsman," which elevate the source material and allow for engaging, meaningful discussions between modern readers and viewers. 

Perhaps the Almanzo and Laura romance storyline is the best example for those who say he strayed too far from the books. Could anyone, however, see a twenty-something-year-old man pursuing a fifteen-year-old girl as acceptable in the late 70s? What was Landon to do? And after some nonsense in the early days of their marriage, can't we say that Landon captured the true partnership between Laura and Almanzo that we see reflected in the books and in real-life accounts?

Even in Season 9, when one could truly say the show had some out-there episodes, did Landon ever regularly deviate from the core themes of Wilder's books? I believe he didn't.

Michael Landon's magic was in being able to take scenes and themes from the books and either reimagining those scenes or crafting new stories based on those themes that touched the hearts of Laura fans. Clearly, he sought to honor Wilder's work while bringing it to the small screen. Landon had one foot in Wilder's world and the other in his, creating an enduring, cherished show that fans will continue to love for decades to come. 

Who is Attending the LHOP Cast Reunion in Columbia State Historic Park

 

Photo credit: Little House Gold Country website

Curious if any of our readers plan to attend the Little House on the Prairie Cast Reunion in Columbia, California. According to their website, tickets for Saturday are almost sold out. You can find more information and purchase tickets by visiting https://www.littlehousegoldcountry.com 

Book Versus TV Show: On the Banks of Plum Creek Versus Season 1 of Little House on the Prairie

As I was reading through all the posts that compared the Little House books to the Little House on the Prairie television show, I realized On the Banks of Plum Creek was skipped. Yikes! How did that happen? I think I'm too much of an Almanzo/Dean Butler fan and wanted to get to the romance. LOL! Though that book was mentioned, we didn't journey through On the Banks of Plum Creek like we did with most of the other books. Let's do that now. 

After leaving Kansas at the end of the Little House on the Prairie book, the Ingalls family travels across Missouri and Iowa, and "a long way into Missouri," before Pa stops the wagon by a grassy bank where he says there is a creek (pgs 1 - 2). Charles is looking for Mr. Hanson, who wants to sell the place and move west. After some trading, Pa and Ma set up their family in the little dugout house on the banks of Plum Creek (pgs 2 - 17). 

The opening scene of the Little House on the Prairie show reimagines Charles meeting Mr. Hanson, a founder of Walnut Grove. TV Mr. Hanson owns the mill in town. TV Charles works for Hanson at the mill to pay for lumber to build his family a house on the banks of the creek, and also trades their horses for a head of oxen, who are strong enough to plow the fields ("Harvest of Friends").

"Harvest of Friends" also sets up the town of Walnut Grove for viewers, who meet mercantile owners Nels and Harriet Oleson, Doctor Baker, Reverend Alden, and, although not mentioned, we see Mrs. Foster in the congregation at church. 

In the same episode, Pa would agree to re-roof the Feed and Seed for Liam O'Neill and stack the newest sacks of grain coming in from Mankato in exchange for a plow and seed. Just like the book Charles worked for Mr. Nelson in exchange for a cow (pg 40).

Charles is working so hard that he is too tired to play the fiddle at night (pg 52), just like TV Charles is too tired from working at the mill, at the Feed and Seed, and building the house in the show. 

Book Laura and Mary could see cattle from the long gray rock beyond the stable, but they never went to play there in the morning or when the sun was going down because the herd boy, Johnny Johnson, was busy bringing the cattle out to graze or bringing them home (pgs 38-39). 

TV viewers will remember Johnny Johnson as a new boy who arrives at school ("The Love of Johnny Johnson"). Laura develops a crush on Johnny, but he only has eyes for Mary, something that will happen to Laura more than once in the television series. 

When the book Charles and Caroline decide to head into town with Carrie (pg 67), they leave Laura and Mary at home with their dog Jack. Two pages later, Laura disobeys Mary, and the girls find the cattle eating the haystacks that Pa had told them must be left alone to feed the oxen and the cow through the winter because Johnny Johnson had fallen asleep (pg 72). 

It will be in the Season 4 episode "The Wolves" when Mary and Laura are left at home with Carrie while Charles and Caroline head to Twin Falls for two days. Laura spends a fair amount of time arguing with Mary, who is telling her what to do. The sideplot is that Andrew Garvey has been nursing a mother wolf back to health and keeping her pups in their barn until neighbors complain, so he brings them to the Ingalls' place. Starving, stray dogs descend upon the Ingalls farm while Ma and Pa are away, trying to get into the barn where Andrew, Laura, Mary, Carrie, and the wolves are locked in. Both provide an element of suspense. 

That first "Christmas at Plum Creek" is portrayed differently on the show than in the book as well. The TV show is all about secrets and using ingenuity to supplement their limited resources to spread joy to each other. In the book, however, it's about the girls learning the importance of thinking of the greater good when they agree that they will all ask for horses for Christmas because that is what they need (pg 86).

In what might have been taken from the book, Carrie receives a button necklace for "Christmas at Plum Creek." Laura and Mary worked with Ma to make one for her in On the Banks of Plum Creek (pg 90). During this episode, we also see Laura talking to Charles while he builds a fish trap, which also happens in the book (pgs 134-135). 

Ma's surprise cookstove happens in the book (pg 114) and the show, but in "Christmas at Plum Creek," Charles is working on a set of wheels for a customer of Nels Oleson to pay for the stove, while Laura has secretly bartered with Mr. Oleson to sell him her pony, Bunny, in exchange for the stove. This is one of the saddest moments from Season 1. In the book, Pa brings the stove from town as a surprise for Ma. 

Laura and Mary will start school in the show in the episode "Country Girls," which is where viewers first meet Nellie and Willie Oleson, Christy Kennedy, and her brother Sandy. This corresponds with the book chapter titled "School." This is where Sandy and the other children call the Ingalls girls "Long-legged Snipes," because their dresses are too short (pg 145). Christy tells her brother to knock it off and befriends the Ingalls girls. Nellie, looks upon them with disdain, calling them "Country girls," just like she did in the book (pg 148).

This is also where viewers meet Miss Beadle for the first time. Book Laura (pg 150) and TV Laura don't know how to read, but kind Miss Beadle is encouraging. The slate incident appears in the book (pgs 151 - 156) and in the show, with the show even using some of the words from the book in its scenes. We even get to read about Mr. Oleson scolding Nellie and Willie for raiding the candy jars (pg 155). The playground scene with Laura and Nellie arguing over what to play also appears in the book (157). 

Later in Season 1 comes "Town Party, Country Party." Nellie invites the girls from school to her house for a party. Book Laura is amazed by what a fancy house and room Nellie has. Nellie tells her mother that they can play with Willie's things, to which he responds, "They can't ride on my velocipede!" (pg 162) Can you hear Jonathan Gilbert's voice saying that in the show?

Mrs. Oleson is kinder to Laura during the book party than TV Mrs. Oleson is. When Nellie brings out her doll, Laura reaches out to touch it. Nellie screams at her and pulls the doll away (pgs 165 - 166). Laura wanders off to sit in a chair, where Mrs. Oleson finds her and gives her books to read. In the show, the lace on the doll's dress is ripped when Nellie snatches the doll away, and Mrs. Oleson scolds Laura, telling her she should be more careful. In both instances, this is where Laura's plot to avenge herself is hatched. 

In the book, Caroline suggests the girls throw their own party as a way of repaying Nellie's hospitality (pg 168). Their classmates come, and though Nellie also attends, she is as rude as ever. So, Laura leads the girls down to where she saw a crab in the creek, which frightens Nellie. Laura sends her over to the muddy water, and when Nellie comes out, she has leeches all over her legs (pgs 172 - 175). Michael Landon's team reimagined this chapter from the book well in the episode, "Town Party, Country Party," which also had the sideplot of a girl named Olga with one leg shorter than the other. 

One of the nice things Caroline liked about being near a town was also the chance to attend church. Reverend Alden is a traveling missionary who officiates services in Walnut Grove at the book's new church. Book Charles meets Reverend Alden in town, and is encouraged to bring his family to Sunday service. (pg 177). Laura and Mary are approached by Mrs. Tower that Sunday, who teaches them their Sunday school lesson (pgs 183 - 185). 

In the show, Caroline had to attend church alone with the girls the first time, because an exhausted Charles had fallen asleep ("Harvest of Friends"). Oddly, Reverend Alden was stern in this episode, talking about the people who weren't in the congregation, specifically stating that some wives were there without their husbands, making Caroline uncomfortable. Of course, that discomfort turned to anger once she saw Charles plowing the fields upon her return home. 

Another Season 1 episode inspired by the books is "The Hundred Mile Walk." A hailstorm destroys crops in Walnut Grove, so Charles and some of their neighbors must head east for work. In On the Banks of Plum Creek, a cloud of grasshoppers hails down upon the community, destroying their crops (pgs 194 - 205). This is when the Kennedy family leaves Walnut Grove (pg 205). Because the grasshoppers had laid their eggs, Charles knew he wouldn't have a wheat crop the following year, so he decided to travel east for work (pg 210). 

In both the book and the show, Charles needs new boots. Book Charles has three dollars to buy boots in town, but when he runs into Reverend Alden, who says he is short three dollars to buy the bell for the church's bellfry, Charles gives him the three dollars instead (pgs 190 - 191). Pa returns at night, surprising his girls in the morning, wearing his new pair of boots (pgs 236 - 237). The family gets to go to town to buy the supplies they need (pgs 240 - 244).

In "The Hundred Mile Walk," Charles, now without a crop, cannot afford new boots and has to walk in his cracked boots to find work. He works for the railroad, which everyone knows is very dangerous, but it will provide them with money for winter. 

Then it is time to celebrate Christmas again in On the Banks of Plum Creek. The church has a Christmas tree filled with presents for everyone, thanks to Reverend Alden's congregation back east (pgs 251 - 257).

Little House on the Prairie's first season is just as much about the town of Walnut Grove and its residents as it is the Ingalls family unit. Mr. Edwards, their friend from Kansas, is brought back to Walnut Grove when Charles finds him in Mankato ("Mr. Edwards' Homecoming"). The Ingalls family and Doctor Baker help Amy Hearn plan her funeral to encourage her children to come home for a visit ("If I Should Wake Before I Die"). The town residents fight over how to afford a bell for the church ("The Voice of Tinker Jones"). Doctor Baker has a chance at love ("Doctor's Lady"). And two episodes focus on the dangers of living on the prairie in the 1800s: "Plague" and "Survival." The first season also includes the birth and death of Charles Fredrick Ingalls, which Laura Ingalls Wilder never wrote about because she didn't want to upset her audience. 

Season 1 of Little House on the Prairie feels like a lot of imagination with inspiration from the books sprinkled into the mix. I loved that Landon and his team remained true to some of the book events when bringing "Country Girls" and "Town Party, Country Party" to life.

I'm sure there is always more to say about the books versus the show. How have you enjoyed this analysis so far? 

Little House on the Prairie Cast Reunion Coming in June!

Buy your tickets for the Little House on the Prairie Cast Reunion at Columbia State Historic Park coming June 6 -8 in California's Gold Country! 

Prairie Legacy Productions, co-managed by Alison Arngrim (Nellie Oleson Dalton) and Dean Butler (Almanzo Wilder), is the home of officially licensed LHOP events. 

Join Little House on the Prairie cast members for meet and greets, a special screening of a new documentary, a ride on the Wine and Cheese Train, and tour filming locations. 

Visit https://www.littlehousegoldcountry.com for more information and to order your tickets!

Book Review: Nonfiction, Memoir, or Fiction?: Dissecting the Works of Laura Ingalls Wilder by Robynne Elizabeth Miller

 

In 2017, Robynnne Elizabeth Miller, author of From the Mouth of Ma: A Search for Caroline Quiner Ingalls, released a book based on a paper she wrote during her MFA program at Ashland University in Ashland, Ohio. That book, Nonfiction, Memoir, or Fiction?: Dissecting the Works of Laura Ingalls Wilder, explores how the late author crossed these genres in the writing of the Little House books, and why she might have done so. 

In this engaging and informative resource, Miller discussed the importance of genre, how Wilder wrote nonfiction, memoir, and fiction alongside each other in her famous children's series, and how Wilder defined her books as "true stories about her childhood," which her correspondence and modern technology would later allow us to see is not fully accurate. 

Miller's belief is that while Little House in the Big Woods reflected on the life of one family, as the series progressed, the larger story of "America's pioneer movement" took over, and Wilder's purpose changed as she went along. 

If you like all things Laura Ingalls Wilder, enjoy exploring academic studies, or simply want a short piece of work on how one writer views the writing of a famous author, Nonfiction, Memoir, or Fiction? is an excellent choice. 

• Publisher ‏ : ‎ Practical Pioneer Press (June 16, 2017)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 64 pages
• ISBN-10 ‏ : ‎ 1947370049
• ISBN-13 ‏ : ‎ 978-1947370043

I purchased a copy of this book for my Laura Ingalls Wilder collection. This review contains my honest opinions, which I have not been compensated for in any way.

Books Versus TV Show: Laura and Almanzo's Married Life - The First Four Years Versus Seasons 7 - 9 of Little House on the Prairie

Here we are at perhaps the most challenging stage of finding similarities between Laura Ingalls Wilder's books and the Little House on the Prairie television show.

The First Four Years opens with Laura asking her fiancé, Almanzo, to do something else other than farming because she never wanted to marry a farmer. She didn't want them to work hard while people made money off of them (pg 4). Almanzo explains that farmers are the only ones who are truly independent. He tells her that he will try it for three years, and if he doesn't find success, he will quit and do anything she wants him to do (pg 5). Book Almanzo is more forward-thinking and interested in a full partnership with his wife than TV Almanzo is in those early days. "He Loves Me, He Loves Me Not" and "Laura Ingalls Wilder" prove he wants to be in charge. 

As we already know, after some challenges, TV Laura and Almanzo get married at the blind school in Sleepy Eye, sharing an anniversary with Mary and Adam, before settling into the house Almanzo had previously shared with his sister, Eliza Jane ("Laura Ingalls Wilder"). 

On the morning of August 25, 1885, Laura Elizabeth Ingalls becomes Laura Ingalls Wilder in the book and in real life. She leaves her parents' home, is married by Reverend Brown, goes back to her parents' house for dinner, and then leaves her family behind as she and Almanzo drive to their new home across town in De Smet. (pgs 9-10). 

The first year is filled with Laura learning how to run her household, hosting threshers at harvest time, and Laura worrying over money because Manly mortgaged the house for $500 (pg 57). But there are fun times too, as the young couple continue going on buggy rides, taking their ponies out, and hosting their family on New Year's Day. Laura also discovers she is pregnant (pg 43). 

TV Laura has a different set of experiences.

• An old friend of Almanzo's comes to town, and Laura fears they are having an affair ("Divorce, Walnut Grove Style").
• A women's rights activist arrives in Walnut Grove, and the women of town move into Nellie's Restaurant until the men of Walnut Grove sign the petition. Though the newlyweds don't wish to be apart, Laura feels she should support her mother, and she moves into town ("Oleson Versus Oleson"). 
• Almanzo is eager to have children, but Laura wants to keep teaching. Then, when Almanzo's older brother, Royal, leaves his mischievous boys with the Wilders while he takes a vacation with his wife, Almanzo is certain the experience will deter Laura from wanting kids ("The Nephews"). 
• Laura resigns as Walnut Grove's school teacher when Mrs. Oleson interferes. Almanzo and she have a disagreement as Laura tries out new recipes to keep her mind off not feeling useful ("Goodbye, Miss Wilder"). As you will recall, in the books Laura only taught school to help her family. She never really liked it. 
• Laura gets pregnant in Season 7, and her pregnancy will last three-quarters of the way through Season 8, where a series of life-altering events plague the Wilders, and Laura learns about the $500 mortgage on the house ("Days of Sunshine, Days of Shadow"). 

TV viewers will see some hint of inspiration from The First Four Years in Season 7 and into Season 8 of Little House on the Prairie, though it's hard to say how many years pass in TV Laura and Almanzo's marriage from Season 7 through to the end of Season 9 and the three final movies. Enough time passes for Rose to be born, and for her to be a toddler in the movies. 

As we consider the creative license taken with these early episodes of their marriage, we need to remember the difference in ages between Melissa Gilbert (Laura) and Dean Butler (Almanzo) in real life and as their characters on the show. They are allowed to be intimate, but not much. In "Oleson Versus Oleson," when Laura struggles with wanting to support her mother but not wanting to leave her new husband, they have a touching conversation where Manly asks her if she needs to leave that night, and she decides to wait until the morning. Also in this episode, Laura is so eager to get back to Manly after moving into Nellie's that she tries to get her parents talking again. It backfires, but I really feel this is one of those few Season 7 episodes where you are reminded Almanzo and Laura are a young couple in love with each other. 

During the first twelve months of The First Four Years, the dry weather of last summer had been hard on the trees and stunted their growth (pg 47), similar to what happens in the episode "Stone Soup," but the spring brings rain, just like it did at the end of the "Stone Soup" episode. The wheat and oats grow nicely. A few days before harvesting the wheat, a hailstorm flattens it to the ground. Now, there will be no money to pay toward the mortgage or the loan for the new harvest machine (pgs 48 - 56). Book Laura and Almanzo get someone to work the tree claim, and the Wilders move to the smaller homestead property by the time they celebrate their first anniversary (pgs 59 -60). 

In the second year of The First Four Years, Almanzo and Laura endure new parent anxieties after Rose is born, and their childless friend, Mr. Boast, asks them to give up Rose so that his wife can have a child (76). Even after all these years, this passage is disturbing. It adds to the distress that Mr. Boast assumes Laura and Almanzo could have more children (pg 76) when we know what happens to them later. 

As the book Wilders enter the third year of their marriage, Manly continues to buy things on credit, and Laura fears they can't afford it. However, she considers that to be Manly's business (pg 85). Shortly after Almanzo's birthday, Laura gets sick, so Caroline takes Rose home with her (pg 87). 

Almanzo also takes sick (pg 88), just like TV Almanzo will in "Days of Sunshine, Days of Shadow." They both have diphtheria in The First Four Years, but Almanzo will be the only one ill in the show, and a pregnant Laura takes care of him at their house in Walnut Grove, though Doctor Baker advises otherwise. When the book Manly goes back to work too soon and works too hard after his bout with diphtheria, he suffers a stroke that impacts the strength in his legs (pg 89). 

In"Days of Sunshine, Days of Shadow," Almanzo, who is still recovering from diphtheria, attempts to run out and save his wheat from a hailstorm, leading to a stroke that paralyzes his entire left side and leaves him wheelchair-bound. While Manly is struggling to recover from his stroke, Laura gives birth to Rose. 

As the book Wilders approach their third anniversary, they are drowning in medical expenses, and their renter at the tree claim is leaving. So, they find a buyer for the homestead, and then they move back to the tree claim (pg 90). Laura must help Almanzo around the farm because the aftereffects of the stroke left his hands clumsy (pgs 90 - 91). 

Cousin Peter visits the Wilders. He has been working for a neighbor who wants to sell 100 purebred sheep. So, Peter and the Wilders pitch in to buy the sheep (pgs 93 - 95). Little do the Wilders know, that their wheat crop will once again be ruined by the weather within days of harvesting it (pg 96). 

Entering the fourth year of their marriage, Almanzo's hands improve, and he tells Laura he wants to buy a new team to clear the whole 160 acres. Laura quickly objects, saying their three years are up. Manly reasons that though the crops have been failures, they are all set for farming and don't have money to start anything else. Knowing he is right and continuing to worry over the mortgage and other payments they have to make, she agrees they might have good luck that year, which would make all the difference (pgs 100 - 101). 

In the last of The First Four Years, Laura again feels the familiar sickness of being pregnant (pgs 106 - 107). She struggles to keep up with Rose, who is toddling around, and to help Manly around the farm (pgs 115 - 116). A dust storm blows all the seed wheat and oats away (pgs 109 & 115), and a prairie fire threatens them (pg 113). 

With so much to do, Laura admits she hates the farm and all the debts that had to be paid whether she could work or not. Even if the weather didn't cooperate, they would still need to pay interest on their loans and taxes (pg 119).

And the weather did not cooperate. They had no rain. The wheat and oats, along with the trees, died. [If you recall in "Stone Soup," Laura was trying to keep the trees from dying during a drought in Walnut Grove while Manly was away, and she was very pregnant.]

Almanzo couldn't prove up on the land given to him as a result of the Homestead Act. So, he had to file a preemptive claim, where in six months they would pay the United States government $1.25 per acre, but they would no longer need to waste time on growing trees (pg 122). 

As if this isn't enough, there is more. A tornado (pg 124); Laura giving birth to their son, who dies soon after she starts feeling good enough to help out on the farm again (pg 127); and they lose their home in a fire (pgs 128 - 131). So, they move in with Caroline and Charles while Almanzo and Peter build a new shanty (pg 131). Is any of this inspiration feeling familiar to TV viewers yet? 

In all the chaos, their fourth anniversary passes by without anyone noticing. Manly takes stock of all they have, and Laura feels her spirit rising to the challenge of always being a farmer (pgs 132-134). 

With "Days of Sunshine, Days of Shadow," Landon and his team reimagined what the Wilders went through over the first four years of their marriage, and hit them with it all at once, doing what writers do best--saying "What if..." and pushing them to their limits. 

Once the Ingalls family left TV's Walnut Grove and relocated to Burr Oak, Iowa, the show writers appear to have used what material was available from the books and relied on their own imaginations to create the last season and final three movies. The only episode that could be related to Wilder history is, "A Child with No Name," which finds Laura and Almanzo welcoming their son, who dies one night without having been given a name. The rest of the episode focuses on Laura and the town turning on Doctor Baker because of the baby's death. Then the Wilders must depend on Doc Baker to save Rose when she comes down with smallpox. 

The only book we didn't touch upon in this series of posts is By the Shores of Silver Lake because this book covers the Ingalls family traveling from their little house on the banks of Plum Creek to Dakota Territory and the building of a new town, which will become De Smet. Therefore, it didn't really apply to the show in a significant way. Mary becoming blind, which viewers experience in the two-part episode, "I'll Be Waving As You Drive Away," happened in between On the Banks of Plum Creek and By the Shores of Silver Lake. Readers find out on pages 1 and 2 of By the Shores of  Silver Lake that the family had previously been stricken with scarlet fever, which made Mary blind. 

Did it surprise you how much of the books inspired the writers of Little House on the Prairie? Do you feel differently about how the show brought the Ingalls family's story to life? Looking back, would you still have preferred the writers stuck more closely to the books? 

Which Areas of the World Visit Laura's Little Houses

 

Occasionally, I check to see where this blog's traffic is coming from. Most recent stats show that the most readers of Laura's Little Houses originate from Hong Kong. The next highest amount of readers is from  the United States, France, and Germany, with Austria not far behind. 

Thanks to everyone who spends time reading Laura's Little Houses!

Coming This Summer: Too Good to Be Altogether Lost by Pamela Smith Hill

Laura Ingalls Wilder, author of the well-known Little House series, wrote stories from her childhood because they were “too good to be altogether lost.” And those stories seemed far from being lost during the remainder of her lifetime and through most of the twentieth century. They were translated into dozens of languages; generations of children read them at school; and dedicated readers made pilgrimages to the settings of the Little House books. With the release of NBC’s Little House on the Prairie series in 1974, Wilder was well on her way to becoming an international literary superstar. Simultaneously, however, the novels themselves began to slip from view, replaced by an onslaught of assumptions and questions about Wilder’s values and politics and even about the books’ authenticity. From the 1980s, a slow but steady critical crescendo began to erode Wilder’s literary reputation.

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder’s text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder’s novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today. Hill’s fresh approach to Wilder’s books, including surprising revelations about Wilder’s novel The First Four Years, shows how this author forever changed the literary landscape of children’s and young adult literature in ways that remain vital and relevant today.

Visit Goodreads to see where you can pre-order this book.