Reading Now: Farmer Boy Goes West by Heather Williams

Almanzo Wilder is going west! He and his family are moving all the way from their cozy farm in Malone, New York, to the bustling town of Spring Valley, Minnesota. Almanzo can’t wait to explore, but life in Spring Valley isn’t what he expected. The Wilders have to stay with relatives in a small, cramped house where Almanzo’s aunt Martha is cold and unfriendly. Almanzo longs for the freedom he had back home, and he especially misses his horse, Starlight. Even as he makes new friends at school and helps his father pick a plot of land for the family to settle on, Almanzo can’t help but wonder: Is Minnesota the right place for the Wilders? Or do they belong in New York? First introduced in Laura Ingalls Wilder’s classic Little House book Farmer Boy, Almanzo Wilder’s adventures continue in Farmer Boy Goes West.

A couple of my Little House friends and I are reading this book together. It ends up being an online book club, where we talk about the book we're reading, and in this case, discuss how the fiction differs from the history.

We're two chapters in right now. Almanzo's parents have decided to visit Mother's brother, Uncle George, and his new wife in Spring Valley. Father wonders if they should move west too. Almanzo is excited to go, but he is sad he must leave his beloved horse, Starlight, at home. Royal and Eliza Jane will stay in New York and take care of the farm, while Father and Mother, Alice, Almanzo and little Perley make the long trip.

I'm enjoying this book so far, but it's odd to have a sequel coming so many years after the original--and by a different author. Luckily, the author is a Laura fan, so she is writing in a style that captures the essence of Laura Ingalls Wilder's work.

A full review will follow.

Can't We All Be Friends?

I'm in the midst of reading a memoir of a person who followed the travels of Laura Ingalls Wilder. I'm enjoying it. Every "Laurafan" seems to have his/her own story and I like learning of how others discovered Wilder and how that impacted their lives.

Spend enough time in Lauradom and you'll find distinct camps of "Laurafans"--those who love the classic family television show, Little House on the Prairie, and those who wish it never happened. At some point, I wish we could all shake hands and get along.

Why do those who don't care for Little House on the Prairie and how Michael Landon and his producers portrayed historical figures and events feel the need to rip it to shreds? Isn't the show just one more way to honor the legacy that Wilder left behind? Despite its historical inaccuracies, didn't the show capture the romantic, little girl view that Wilder portrayed in her books? I feel it did.

The book I'm reading has so far spent two pages decrying how television Laura wasn't anything like real Laura. Reverend Alden, Mr. Edwards and Charles didn't look like the real people any more than TV Laura did, and there was too much "histrionics and tragedy." Maybe the author gets it right about the histrionics, but I'm fairly sure the life in which the historical Laura lived had tragedy up the ying-yang, so is the problem with the show that it's not authentic enough or that it's too authentic? The author compares Little House on the Prairie to a soap opera. I've watched both genres of television. They are only alike in the fact that television allows you to suspend common sense if you're creating a great storyline. Remember in Season 9, Royal Wilder returns to Walnut Grove with a daughter named Jenny in tow and Almanzo tells Laura he hasn't seen his brother in 10 years. I guess he forgot that time right after Laura and he were married when Royal and his wife Millie dropped off their two sons (or should I say monsters) for the newlyweds to watch while they went off on a trip? But, Millie was dead by Season 9 and Royal was dying and they needed somewhere for daughter Jenny who no longer will have any family once Royal passes away (I guess Myron and Rupert died too) to live. Look at all that tragedy.

Perhaps it's because I discovered the books after the show and those books sparked my interest in Laura and Almanzo's real life that it doesn't matter to me that Little House on the Prairie and its creators went off into their own world to celebrate Wilder. Maybe I'm too forgiving of a medium that depends on action more than description and internal thought to propel the plot forward. I think they'll have to figure out peace in the Middle East before we can expect it in Laura World.